The Photographer's Eye, 2 the thing itself The Photographer's Eye, 1 - introduction The Photographer's Eye, 3 - the detail The Photographer's Eye, 4 - the frame The Photographer's Eye, 5 - time The Photographer's Eye, 6 - vantage point The Photographer's Eye, 7 The Thing Itself [8] The first thing that the photographer learned was that photography dealt with the actual; he had not only to accept this fact, but to treasure it; unless he did, photography would defeat him. He learned that the world itself is an artist of incomparable inventiveness, and that to recognize its best works and moments, to anticipate them, to clarify them and make them permanent, requires intelligence both acute and supple. But he learned also that the factuality of his pictures, no matter how convincing and unarguable, was a different thing than the reality itself . Much of the reality was filtered out in the static little black and white image, ...
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